There were three total Rendering passes created in Maya. One for a beauty shot, one for the ambient occlusion, and the last for darker shadows on the back side of the building. They were then opened in Photoshop in different layers. The color with the surrounding context was matched in the building by adjusting the building's color to match the background. Finally the elements from the background image that would be in front of the building in reality were copied and placed in front.
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